The Interview: Rude, crude, sexist, racist … with a modicum of political propaganda valuePosted: January 28, 2015
Like many a TV pundit in our 24/7 news world, I was asked to comment on the movie “The Interview” before I saw it. My words of purported wisdom aired on CCTV’s “Dialogue” program on Jan. 2.
Now, through the wonders of Netflix, I’ve finally seen the movie that launched a thousand schemes. Here’s what I thought:
It was rude, crude, puerile, tasteless, sexist, racist, unsophisticated … and better than I thought it was going to be.
You can guess that this isn’t my kind of movie. I don’t like potty jokes. The movie’s fixation on the bodily functions of the North Korean dictator, not to mention the human orifices of its protagonist, are suitable for seventh grade boys, not (chronologically) adult moviegoers. As Roger Ebert wrote in his review of the execrable movie “The Love Guru“: “This film could have been written on toilet walls by callow adolescents. Every reference to a human sex organ or process of defecation is not automatically funny simply because it is naughty.”
But “The Interview” offers much more to loathe. Its treatment of every one of its female characters as sex objects is odious. Its replaying of decade-old Hollywood Asian stereotypes is retrograde racism. Oh, the movie also was way too long and self-indulgent.
Those are some of the less objectionable elements of “The Interview.”
I don’t know about you, but I have a fundamental problem with a movie about the assassination of a living leader. It just crosses a line in my mind. Imagine what Americans would say if a Pakistani … or French … or Chinese … or Canadian “comedy” centered on a plot to kill the U.S. president. I don’t care how odious a leader is. You just don’t make a movie about assassinating living characters. (Remember how “The Manchurian Candidate” disappeared for two decades after the Kennedy assassination. And it was fiction.)
One more thing: “The Interview” is completely unbelievable. I am a big believer in “suspension of disbelief” for Hollywood fantasies. I’ll play along with the far-fetched concept that a CIA “babe” convinced two sex-crazed journalists to join an assassination plot. But they lost me when they got to the North Korean palace and kept talking openly about their assassination plans. OK, buddy, if the movie is about this paranoid North Korean dictator, don’t you think that he might just have been bugging your room and listening to your every word? Don’t you think you might be a wee bit careful discussing your murderous plans in loud voices? That may have gone over the heads of the potty-humor gang, but the other 99.9 percent of us are going to have a problem with it.
“The Interview” may be without redeeming social value, but it does have a bit of political propaganda value. The movie was at its best when it skewered the Kim dynasty for its gulags, its decision to focus on nukes, not nutrition, its overblown rhetoric, its paranoia and personal quirks. The transformation of the Kim Jong Un character from personable Dennis Rodman road show buddy to Stalinesque maniac was, from the perspective of political propaganda, quite effective.
I can understand why (alleged) North Korean hackers didn’t want the world to see this depiction of their dear leader. But I still can’t buy a movie that makes the dear leader into the dearly departed leader.
If you want to see the segment of CCTV’s “Dialogue” program in which I discuss “The Interview” with Tsinghua University colleague Shi Anbin, here’s the URL: http://english.cntv.cn/2015/01/03/VIDE1420295520064235.shtml