Gain a global perspective as you improve your journalism skills with the USA Summer Journalism Training Program

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The Global Business Journalism Program is already one of the most prestigious business journalism master’s degree programs in the world. The partnership between the U.S.-based International Center for Journalists and Tsinghua University has produced more than 400 graduates from China and around the globe who are bringing advanced technological skills and business reporting expertise to news sites around the world.

This summer, GBJ’s co-director, Rick Dunham, a veteran of 29 years in Washington journalism, will launch a new initiative, the USA Summer Journalism Training Program in Washington, designed to train aspiring journalists from around the world in global best practices. The two-week program is scheduled to run from July 24 to August 4. Sessions will be held at the International Center for Journalists and other venues in Washington.

The USA Summer Journalism Training Program includes more than a dozen training sessions and workshops, hands-on reporting exercises, and tours of news organizations, as well as Washington-area sightseeing and special social activities. Guest speakers will include prominent Washington journalists, academics and policymakers.

The program is open to all university students and 2017 graduates. Thanks to a generous contribution from a supporter of the program, Tsinghua School of Journalism and Communication students will receive a $500 scholarship to defray a portion of the program fee. Tsinghua students who also participate in the City University of New York Summer Intensive Program in July will receive a $750 scholarship.

To guarantee personal attention, the program is limited to 25 participants.

Professor Dunham is a former White House correspondent for Business Week magazine, editor of the magazine’s Washington Outlook page, Washington bureau chief of the Houston Chronicle and Hearst Newspapers, creator of the Texas on the Potomac blog, 2005 president of the National Press Club, and creator of RickDunhamBlog.com. He is a visiting professor at Tsinghua University, where he teaches multimedia reporting, data journalism storytelling, English news writing and U.S. media culture.

The deadline for applications is May 31. Click here for the program application.

If you have questions, please contact USA Summer Journalism Training Program at SummerProgramDC@gmail.com. You can reach teaching assistant Li Chengzhang at licz15@mails.tsinghua.edu.cn,  (Note: Tsinghua University is not involved in this program, its curriculum or management.)

Here is additional information on the program, in English and Chinese:

项目时间:2017年7月(注:项目时间与CUNY暑期项目不冲突)

项目时长:两周

地点:美国,华盛顿DC,美国记者俱乐部

结业证书:由美国记者协会(ICFJ)颁发

招收对象:在校大学生

Time:July 24-August 4, 2017 (Note: The timing of this program is designed to encourage students to also participate in the Summer Intensive Program at the City University of New York.)

Period: Two weeks

Place: USA, Washington, D.C., The International Center for Journalists and other locations

Completed certificate: From ICFJ, the leading training organization for journalists around the world

Eligibility: Participants must be university students or 2017 graduates

  • 夏令营项目形式:

业界导师授课、嘉宾讲座、研讨会、参观游览及娱乐活动

  • Program contents: Journalism training sessions and workshops, hands-on reporting exercises, tours of news organizations, Washington-area sightseeing, social activities
  • 课程内容:

多媒体全方位新闻技能培训

包括:采访技巧、如何讲好新闻故事、突发新闻报道、国际新闻报道、多媒体新闻报道、财经新闻写作技巧、华盛顿邮报案例研究、新闻从业者入行需知等版块

  • Journalism training courses

Program contents: Multimedia storytelling, advanced reporting, writing and editing seminars, interview tips, sharpening your business and economic journalism skills, tips for foreign correspondents and data journalism skills training

  • 讲座和研讨会内容:

资深记者分享新闻报道和从业经验,并与行业专家及政府议员探讨全球公共政策问题。

包括:移民问题、贸易问题、能源问题、双边关系、经济与政治相互作用关系等议题。

  • Lectures, sessions and workshops

Program contents: Hear from prominent journalists, academics, think tank representatives and policymakers. Training in journalism skills and policy issues important to a global audience

实践内容:

个人采访作业、小组采访作业

包括:新闻稿件、新闻图片、新闻音频和视频等。同学们通过街头采访的实践机会深入了解和体验美国。

  • Practice:

Individual journalism assignments, group journalism assignments

Program contents: You will work with veteran American journalists to improve your news article writing, news photography, video and audio skills. Students will get to know America and American life better via interviewing local people and policymakers by themselves.

  • 参观游览活动:

(1)参观媒体机构

包括:美国记者俱乐部、美国新闻博物馆、华盛顿邮报报社、彭博新闻社等。

(2)参观历史遗迹

包括:美国国会大厦、林肯纪念堂、杰斐逊纪念堂、马丁·路德·金纪念碑、华盛顿故居、林肯故居、二战纪念碑、朝鲜战争和越南战争纪念碑等。

(注:以上参观游览目的地为可选范围,具体参观游览路线将会视同学们的兴趣而定。负责该项目的美国教授和助教将会带领大家一起出行集体参观游览。)

  • Sightseeing

(1) Media organizations

Planned tours include the National Press Club and the Newseum. Additional visits may include the Washington Post, Bloomberg News and Politico

(2) Historical sites

Visits to selected historical sites including the Lincoln Memorial, the Jefferson Memorial, the Martin Luther King Memorial, the Franklin D. Roosevelt Memorial, the Albert Einstein Statue, the World War II Memorial, the Korean War Memorial and the Vietnam War Memorial.

(Note: Students can select their preferred sightseeing destinations from above options, specific tour routes will depend on the students’ interests. Our professor and teaching assistant will lead the collective tour.)

  • 娱乐活动:

由Rick Dunham教授主持举办“Texas barbecue”野餐会

在美国记者俱乐部举办周五“Taco Night”活动

  • Social activities

Opening “Texas barbecue” cookout hosted by Professor Rick Dunham in Arlington, Virginia

Friday “Taco Night” reception at the National Press Club

Special event with National Press Club Young Members

Happy Hour with Asian American Journalists Association DC Chapter members

  • 师资力量:
  • Possible guest speakers:

Rick Dunham:清华大学全球财经新闻联合主任、美国记者俱乐部培训学院院长、《商业周刊》原驻白宫记者

Alex Nowrasteh: 美国卡托研究所经济学家

Al Weaver:《华盛顿审察者报》驻白宫记者

Cheryl Arvidson:前《达拉斯时代先驱报》总编辑

Cragg Hines:前《休斯顿纪事报》华盛顿分社总编辑、专栏作家

Emily Holden:E&E新闻机构记者

Doris Truong:《华盛顿邮报》记者

Doug Wong:《华盛顿邮报》记者

Gilbert Klein:美国大学新闻教授、前美国记者俱乐部主席

Doug Harbrecht:Kiplinger.com数字媒体总监

Angela Greiling Keane:《政客》编辑

Alan Bjerga:彭博新闻社农业报道记者、乔治城大学新闻教授

Jonathan Salant: 北新泽西州报纸驻华盛顿记者

Maria Recio: Washington journalist and former correspondent for Business Week, Knight Ridder Newspapers and McClatchy Newspapers

Mark Hamrick: Bankrate.com Washington bureau chief and former National Press Club president

Emily Wilkins: Education reporter, Roll Call

 

  • 费用:

项目费:1500美元

住宿费:600-750美元(由项目方提供统一住宿)

  • Estimated costs:

Fees   $1,500*

Housing (estimated, double occupancy)  $600-$750

Note: Global Business Journalism students and other Tsinghua School of Journalism and Communication students are eligible for a scholarship to cover $500 of the costs, making their final fee $1,000.

Note: GBJ and other TSJC students who also enroll in the City University of New York Summer Intensive program are eligible for a scholarship to cover $750 of their costs, making their final fee $750.

Note: Visa fee, transportation, travel, meals, insurance are not included.

Note: Housing will be available from Sunday, July 23, to Saturday, August 5.

A completed application does not guarantee acceptance. To guarantee personal attention, the program will have a maximum of 25 participants. Admission is at the discretion of program organizers.

>>> Application form for the USA Summer Journalism Training Program

>>> Questions? Contact the USA Summer Journalism Training Program by email

>>> More information on CUNY Summer Intensive program

>>> Learn more about the Global Business Journalism Program at Tsinghua University

 


How cropping photos can change the editorial content of a photograph

Screenshot 2015-12-20 10.09.47

Marital bliss: This photograph from Donald Trump’s latest wedding is fraught with political overtones.

Photography captures reality.

Or does it?

Yes, a high-quality photograph that follows my 25 rules of photo composition can be a major asset for your multimedia journalism report.

But a photograph is not necessarily objective reality. Why?

Cropping.

As you edit the photograph, you are making editorial decisions: What part of the photo is most important or newsworthy? (That is different than editing decisions based on attractiveness.)

Here are two examples: One benign, one politically charged.

I took the first photo in my final day on the White House beat, Sept. 2, 2013. It shows House Democratic leader Nancy Pelosi speaking to a group of reporters outside the West Wing entrance (also known as “the Stakeout”). The second photo is a wedding snapshot featuring Bill and Hillary Clinton at Donald Trump’s most recent wedding.

Screenshot 2015-12-20 10.35.54

Nancy Pelosi at the Stakeout. The viewer’s eye focuses on the media scrum.

Screenshot 2015-12-20 10.36.14

The edited photo focuses on Nancy Pelosi.

Screenshot 2015-12-20 10.09.47

The original image: The Trumps and Clintons are all smiles at Donald Trump’s latest wedding.

Screenshot 2015-12-20 10.09.47 - Version 2

Edited photo #1: That was then, this is war: Hillary and Donald look happy together. That’s not the way they’re acting in the heat of the presidential race.

Screenshot 2015-12-20 10.09.47 - Version 3

Edited photo #2: Editing out the Trumps, this could be any of the tens of thousands of Clinton family photos taken over the decades.

Screenshot 2015-12-20 10.09.47 - Version 4

Edited photo #3: Editing out the spouses, this version looks like Bill Clinton is enjoying his time with Mrs. Trump. It emphasizes their left hands meeting along her waist.

The Trump-Clinton wedding photo is fraught with political overtones. Some of Trump’s 2016 Republican presidential campaign rivals would like to remind voters of his bipartisan past and his longtime coziness with the Clintons. The unedited photo is incontrovertible evidence that the two families were close enough that they were all smiles together in the not-so-distant past.

By focusing on Donald and Hillary, the photo editor chooses to highlight the 2016 rivalry, without the spouses. It’s Hillary vs. Donald. All smiles then. All insults now.

By editing out the Trumps, this is an unexceptional photo of Bill and Hillary Clinton smiling for the cameras. Little news value.

By editing out Donald and Hillary, the photo focuses on Bill Clinton with his arm around an attractive woman. Her left hand touches his, prompting the viewer to reach her/his own conclusion about the body chemistry.

The takeaway lesson: When you are editing photos for content, think about how your cropping decisions change the meaning of the image in the eyes of your audience. Are you sending the message you want to send? Are you fairly reflecting reality? Are you being fair to the subjects in the photo?

If you are a professional photo editor, the answer to all of the questions should be yes.


Ten tips to improve your news photography from a two-time Pulitzer Prize winner

Larry Price spoke to Global Business Journalism Program students on April 21. (Photo by Gaelle Patricia Chekma)

Larry Price spoke to Global Business Journalism Program students on April 21. (Photo by Gaelle Patricia Chekma)

Every year, the Pulitzer Prizes celebrate some of the world’s best journalism. Just hours after the 2015 Pulitzer winners were announced, my Global Business Journalism Program was fortunate to play host to a two-time recipient of the Pulitzer Prize for photography. Larry C. Price, a University of Texas graduate who won the Pulitzer while working for the Fort Worth Star-Telegram and the Philadelphia Inquirer, dazzled my Multimedia Reporting and Data Journalism students with tales from his latest project, a multi-year investigation into the use of child labor in gold mining. His work — entitled “Tarnished” — was published in eBook form by the Pulitzer Center for Crisis Reporting.

Here are ten tips I culled from Larry’s lectures and the subsequent Q-and-A period. They are not a definitive list of “ten top tips.” They are just a collection of tips that I hope will be useful as you attempt to improve your photographic skills.

One of the many vivid photos from "Tarnished." This is from Larry Price's trip to a gold mining area of Burkina Faso.

One of the many vivid photos from “Tarnished.” This is from Larry Price’s trip to a gold mining area of Burkina Faso.

1. Always remember that you’re a storyteller.

Whatever publishing platform you’re on, and whatever visual medium you’re using, journalism is always about one thing. “It’s all about the stories,” Larry says. “Stories are as old as language. They’re everywhere. And journalism tells them.”

2. Look for something new — or a new take on an old image.

“Find something that hasn’t been done,” Larry says. “Or find a different spin on it.”

He says colleagues have sometimes discouraged him from shooting certain images, saying, “it’s been done.”

“My response is, ‘I haven’t done it,'” he says. “If somebody’s told the story, tell it differently.”

His example: a recent trip to Paris and a photo shoot at the Eiffel Tower.

The eBook "Tarnished" is available online from the Pulitzer Center for Crisis Reporting.

The eBook “Tarnished” is available online from the Pulitzer Center for Crisis Reporting.

3. Get up early. Stay late.

Larry doesn’t use artificial lighting. As a result, he is looking for the best natural light available. “If you want your multimedia productions to look good, shoot them early in the morning or a few minutes before sunset,” he says.

That means long days of work and short nights of sleep.

4. Get close.

Every photographer has her or his own signature. For Larry, it’s close-ups. “I love tight facial portraits,” he said. “Force yourself to get close.”

Another favorite subject for his close-ups: “Hands and feet. That’s what it’s all about.”

5. Get personal.

To make a subject comfortable with you — especially if you are going to shove your camera into their face — is to develop a personal relationship with them. “I spend a lot of time getting rapport established before I take out a camera,” Larry says. “I develop that rapport so it doesn’t get uncomfortable to your subject.”

Of course, you can’t always do this when news is breaking, but it can help improve your image if you have a bit of time to prepare.

6. Keep shooting.

“When I’m in the field, it’s constant activity,” Larry says. “Digital allows you to shoot, review, delete a lot.” Don’t let your guard down when you’re on duty: You never know when the next great photo opportunity might come. “You can’t ever relax,” he says. “It’s a never-ending cycle of feeling guilty.”

On his most recent trip to Burkina Faso, Larry returned with 37,000 frames. “I always have a lot of failures,” he notes. “I shoot a lot of pictures.”

7. Minimize your vertical shots.

Horizontal photographs work best on digital platforms, whether that’s a mobile device or a computer. And if you’re taking video, make sure it’s horizontal. “Never shoot vertical video,” warns Larry. “It’s useless. Half your space is wasted.” He rarely takes vertical stills, except for portraits. But he likes the square format popularized by Instagram. “Square is a very good portrait format — a little more artsy,” he says.

8. Stay natural.

Great photographers don’t cheat with editing programs that alter reality. “I don’t do a lot of Photoshop with my pictures,” he said. “I don’t exaggerate the colors or anything.”

9. Take good notes.

You need to have the spelling of names, correct ages and the locations of cities or villages. Larry always uses two notebooks. He also records the GPS coordinates of everything.

10. One old-fashioned photo composition rule.

“Don’t ever put people in the middle of the frame,” he says.

Matt Haldane has a front row seat for Larry Price's lecture at Tsinghua.

Matt Haldane has a front row seat for Larry Price’s lecture at Tsinghua.